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The Bard's Galliard: A Practical Guide to Shakespearean Dance


Dance Events and Dance Steps

The first ballet was Balthasar de Beaujoyeulx's Ballet Comique de la Royne in 1581. It was sponsored by Catherine de Medici, queen to Henri II of France. In addition to spectacular costumes and set including a gigantic fountain from which the dancers emerged, it featured certain aspects of court dance applicable to the dances in Shakespeare's plays. The dance's interpretation of Greek mythology romanticized nature, "Beaujoyeulux's setting was the pastoral, reflecting ephemeral happiness"28 and his characters were gods and goddesses mostly danced by the royalty themselves: "The Queen was on this car, with eleven other royal ladies, representing naiads who "climbed down from their fountain."29 Like Caroso's dances it emphasized symmetrical, ordered movement, and Beaujoyeulux claimed "I have satisfied the eye, the ear, and the understanding in one well-proportioned creation."30 Morever, in commemoration, the choreogrpaher wrote down a summary of the gala event. Although he does not give step by step descriptions of the dancing, he does describe many of the formations the dancers made, what dances they performed during the revels, and other helpful details. From his account, it appears that what distinguished dance on the stage from dance at a ball or party was not the steps or even the types of dances done but the new and inventive floor patterns and configurations that the choreographer devised using known steps and dances.

So what were these known steps and dances? Shakespeare mentions a few specific steps such as a caper and the hay and a goodly number of dances including the pavan, galliard, jig, canary, coranto, and branle.31 These are all Renaissance court dances or steps therein, with the exception of the jig and arguably the hay, which are associated more with English country dances or folk dances of the lower classes. Since the goal of this paper is to combine dance and Shakespeare scholarship, let us now examine and explain each of these terms with regard to the context in which they appear within two of Shakespeare's plays: Twelfth Night and Love's Labor's Lost.

Footnotes

28 Time, p. 77. back to text
29 Ibid. back to text
30 Ibid. back to text
31 "Branle," also spelled "bransle" is pronounced like "brawl."
back to text

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December 9, 2002

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