--
My transcription
of the NYPL Mid-Manhattan Research Library's copy of
chapter 44, 'Of Orchestice, or the Art of Dancing'
in Sir George Buck's The Third Universitie of England,
an appendix to the 1615 edition of John Stow's The
Annales, Or Generall Chronicle of England finished
and edited by Edmond Howes. London: Thomas Adams, 1615.
The 1631 edition as viewed at the British Library also
contains The Third Universitie of England, but
the text of 'Orchestice' is the same. I also transcribed
a few other dance-relevant Third
Universitie
and Annales passages as well.
--
As concessions to Dreamweaver and web compatibility,
double spaces between sentences have been reduced to
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is modernised
except in titles. The ' ------
' denotes page breaks. Obviously this does not replicate
the look or type face of the original... but I've done
my best! --E. F. Winerock
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986
Of
Orche∫tice, or the Art of
Dancing.
Cap,
44.
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He
art of Dancing called by the
auncient Grecians, Orchestice, &
Orchestis (although Tully in his
austeritie, and out of his spleene |
towards
M. Anthony, seeing him dance, said,
(Nemo saltat sobrius) is notwithstanding
an
art and qualitie, not iustly obnoxious
to that
his bitter imputation: but contrarywise
com-
mendable, and fit for a Gentleman, being
op-
portunely and modestly used. And Plato
that most graue Philosopher thinketh
meete
that ingenuous children be taught to
Dance:
And it is not onely allowed and graced
in the
Courts of Princes, and in the best and
most
honorable Citties, and euen in the colledges
of the reuerend and graue Professors
of our
Lawes, but also hath so good approbation
in
the holy Scriptures, as we find that
Micholl
was much blamed for laughing at King
Da-
vid when he danced. Of this art many
bookes
haue been written, as that Pamflet in
the
Macaronicall tongue, intituled Liber
bragar-
dissimus de danzis, and diuers
other the like.
And much more aunciently it hath bin
han-
dled by Athenæs and Iulius Pollux,
& since
by Cælius Rodigynus, and lastly
and largely
enough by Thomas Garzoni
in his Piazza Vni-
uersale in discorso
45. de Ballarini.
Under this
art, Valting and tumbling, and going
uppon
ropes, and the doing Feats of actiuitie,
& rare
agilittie are comprehended: and in these
arts of
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dancing
and valting we haue countrymen of
our owne, which be very excellent, as
M. Car-
dell, groome of the Queenes priuie chamber,
and M. Warren, and M. Roland, the Kinges
Musitians, and M. Iohn Hasset, and diuers
others.
I set not downe the armes
of the professors
of dancing, because I haue not seene
them:
besides I am enformed that they are of
ye So-
ciety of the musitians, which I easily
beleeue,
for dancing cannot stand without Musicke,
and then are they furnished, hauing an
equall
and common interest, as well in the ensignes
as in the Societie and corporation.
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See
Supplementary Passages
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